Monday, October 27, 2008

'OSCAR'-WATCH: MY MONTHLY 81st OSCARS PREDICTION LIST



In keeping with "awards season fanatics" tradition, here is my "too early to tell" monthly 81st Oscar nominees prediction this month:

BEST PICTURE
Australia (pictured above, left)
The Curious Case of Benjamin Button
The Dark Knight
Milk
Slumdog Millionaire


BEST DIRECTOR
Baz Luhrmann, Australia
David Fincher, The Curious Case...
Christopher Nolan, The Dark Knight
Clint Eastwood, Gran Torino
Gus Van Sant, Milk

BEST ACTOR-LEADING ROLE
Benicio del Toro, Che
Clint Eastwood, Gran Torino
Richard Jenkins, The Visitor
Sean Penn, Milk
Mickey Rourke, The Wrestler

BEST ACTRESS-LEADING ROLE
Sally Hawkins, Happy Go-Lucky
Angelina Jolie, Changeling
Kristin Scott-Thomas, I Loved You So Long
Meryl Streep, Doubt.
Kate Winslet, Revolutionary Road

BEST SUPPORTING ACTOR
Josh Brolin, Milk
Philip Seymour Hoffman, Doubt.
Heath Ledger, The Dark Knight
John Malkovich, Changeling
Michael Shannon, Revolutionary Road

BEST SUPPORTING ACTRESS
Cate Blanchett, The Curious Case of Benjamin Button
Penelope Cruz, Vicky Christina Barcelona
Viola Davis, Doubt.
Marisa Tomei, The Wrestler
Debra Winger, Rachel Getting Married

BEST FOREIGN LANGUAGE FILM
The Class, France
Everlasting Moment, Sweden (pictured above, right)
Gomorrah, Italy
The Mermaid, Russia
Revanche, Austria

"My Monthly 81st Oscars Prediction" will be a regular post in this blog from now on until the 81st Oscars (February 2009).

Wednesday, October 22, 2008

QUICK TAKES: The 81st Academy Awards Best Foreign Language Film Entries


(Press release)
67 Countries Vying for 2008 Foreign Language Film Oscar®

Beverly Hills, CA — A record 67 countries, including first-time entrant Jordan, have submitted films for consideration in the Foreign Language Film category for the 81st Academy Awards®, Academy President Sid Ganis announced today.

The 2008 submissions are:

Afghanistan, “Opium War,” Siddiq Barmak, director;
Albania, “The Sorrow of Mrs. Schneider,” Piro Milkani and Eno Milkani, directors;
Algeria, “Masquerades,” Lyes Salem, director;
Argentina, “Lion’s Den,” Pablo Trapero, director;
Austria, “Revanche,” Gotz Spielmann, director;
Azerbaijan, “Fortress,” Shamil Nacafzada, director;
Bangladesh, “Aha!,” Enamul Karim Nirjhar, director;
Belgium, “Eldorado,” Bouli Lanners, director;
Bosnia and Herzegovina, “Snow,” Aida Begic, director;
Brazil, “Last Stop 174,” Bruno Barreto, director;
Bulgaria, “Zift,” Javor Gardev, director;
Canada, “The Necessities of Life,” Benoit Pilon, director;
Chile, “Tony Manero,” Pablo Larrain, director;
China, “Dream Weavers,” Jun Gu, director;
Colombia, “Dog Eat Dog,” Carlos Moreno, director;
Croatia, “No One’s Son,” Arsen Anton Ostojic, director;
Czech Republic, “The Karamazovs,” Petr Zelenka, director;
Denmark, “Worlds Apart,” Niels Arden Oplev, director;
Egypt, “The Island,” Sherif Arafa, director;
Estonia, “I Was Here,” Rene Vilbre, director;
Finland, “The Home of Dark Butterflies,” Dome Karukoski, director;
France, “The Class,” Laurent Cantet, director;
Georgia, “Mediator,” Dito Tsintsadze, director;
Germany, “The Baader Meinhof Complex,” Uli Edel, director;
Greece, “Correction,” Thanos Anastopoulos, director;
Hong Kong, “Painted Skin,” Gordon Chan, director;
Hungary, “Iska’s Journey,” Csaba Bollok, director;
Iceland, “White Night Wedding,” Baltasar Kormakur, director
India, “Taare Zameen Par,” Aamir Khan, director;
Iran, “The Song of Sparrows,” Majid Majidi, director;
Israel, “Waltz with Bashir,” Ari Folman, director;
Italy, “Gomorra,” Matteo Garrone, director;
Japan, “Departures,” Yojiro Takita, director;
Jordan, “Captain Abu Raed,” Amin Matalqa, director;
Kazakhstan, “Tulpan,” Sergey Dvortsevoy, director; (pictured above)
Korea, “Crossing,” Tae-kyun Kim, director;
Kyrgyzstan, “Heavens Blue,” Marie Jaoul de Poncheville, director;
Latvia, “Defenders of Riga,” Aigars Grauba, director;
Lebanon, “Under the Bombs,” Philippe Aractingi, director;
Lithuania, “Loss,” Maris Martinsons, director;
Luxembourg, “Nuits d’Arabie,” Paul Kieffer, director;
Macedonia, “I’m from Titov Veles,” Teona Strugar Mitevska, director;
Mexico, “Tear This Heart Out,” Roberto Sneider, director;
Morocco, “Goodbye Mothers,” Mohamed Ismail, director
The Netherlands, “Dunya & Desie,” Dana Nechushtan, director;
Norway, “O’Horten,” Bent Hamer, director;
Palestine, “Salt of This Sea” Annemarie Jacir, director;
Philippines, “Ploning,” Dante Nico Garcia, director;
Poland, “Tricks,” Andrzej Jakimowski, director;
Portugal, “Our Beloved Month of August,” Miguel Gomes, director;
Romania, “The Rest Is Silence,” Nae Caranfil, director;
Russia, “Mermaid,” Anna Melikyan, director;
Serbia, “The Tour,” Goran Markovic, director;
Singapore, “My Magic,” Eric Khoo, director;
Slovakia, “Blind Loves,” Juraj Lehotsky, director;
Slovenia, “Rooster’s Breakfast,” Marko Nabersnik, director;
South Africa, “Jerusalema,” Ralph Ziman, director;
Spain, “The Blind Sunflowers,” Jose Luis Cuerda, director;
Sweden, “Everlasting Moments,” Jan Troell, director;
Switzerland, “The Friend,” Micha Lewinsky, director;
Taiwan, “Cape No. 7,” Te-Sheng Wei, director;
Thailand, “Love of Siam,” Chookiat Sakveerakul, director;
Turkey, “3 Monkeys,” Nuri Bilge Ceylan, director;
Ukraine, “Illusion of Fear,” Aleksandr Kiriyenko, director;
United Kingdom, “Hope Eternal,” Karl Francis, director;
Uruguay, “Kill Them All,” Esteban Schroeder, director;
Venezuela, “The Color of Fame,” Alejandro Bellame Palacios, director.

As per Academy rule, the Oscar Foreign Film committee will announce a shortlist of the nine highest-rated films from among the national submissions. A smaller committee was then created to narrow down the list to the five films which will be nominated for the Oscar.

Hmmmm... This year's line-up isn't groundbreaking after all. Considering last year's omissions (4 Months, 3 Weeks, 2 Days; Secret Sunshine; Silent Light; Persepolis), we can only expect the unexpected. But then...

MY TOP NINE SHORTLIST (based on festival circuit reception, national impact, and expected Academy response)

Austria, "Revanche"
France, "The Class" (Palme d'Or, 61st Cannes FF; Official Selection, 46th New York FF)
Italy, "Gomorrah" (Grand Prize of the Jury, 61st Cannes FF; Official Selection, 46th New York FF; January 2009 North American release-IFP Films)
Jordan, "Captain Abu Raed" (World Cinema Audience Award winner, Sundance FF
Kazakhstan, "Tulpan" (Camera d'Or, 61st Cannes FF; Official Selection, 46th New York FF; Toronto FF)
Norway, "O'Horten"
Russia, "The Mermaid" (Official Selection, Sundance FF)
Spain, "The Blind Sunflowers"
Sweden, "Maria Larsson's Everlasting Moments" (from the Oscar nominated director of Best Picture and Best Foreign Language Film nominee "The Emigrants")

Tuesday, October 21, 2008

RANDOM THOUGHTS: DEKADA CINEMANILA


My first hand, "insider" thoughts on the 10th Cinemanila FF:

VENUE: So-so. For a Makati resident (like me) the place is far. At least there is the MRT wherein I can take a one-way drive going to Gateway Mall. Never mind that I have to pass by a lot of classy shops (Folded and Hung, Lacoste, Bench, Esprit, etc.) before reaching the Cineplex.
MARKETING AND PROMOTIONS: To the max! As in extensive broadcast and print media coverage. Name it and fest organizer Director Tikoy Aguiluz has contacts with: ABS-CBN (in an interview with Mario Dumauag last night), Phil. Daily Inquirer, Phil. Star, Tempo, and so on. But when it comes to
BOX-OFFICE: This year's fest is an unmitigated flop, except for two crowd pleasers that managed to be an audience favorite: Thailand's official 81st Oscar Best Foreign Language Film entry Love of Siam (a gay romance comedy-drama; pictured above ) and Israel's Cannes Filmfest winner and U.S. box-office hit The Band's Visit (a light but affable comedy based on "true events"). Blame it on the absence of more popular festival entries this year.
LINE-UP OF FILMS: Weak, compared with last year's fabulous array of entries (60th Cannes Palme d'Or winner 4 Months, 3 Weeks, 2 Days; Lino Brocka World Cinema Grand Prize winner and 60th Cannes Best Screenplay honoree The Edge of Heaven; 60th Cannes Jury Prize and eventual Cinemanila Special Jury Prize for World Cinema awardee Persepolis; 59th Cannes Camera d'Or winner Luxury Car, among others). Though the presence of last year's festival hits The Diving Bell and the Butterfly, Roy Andersson's 60th Cannes Un Certain Regard entry You, The Living; 60th Cannes Un Certain Regard winner California Dreamin' are commendable (even if they were available on bootlegged DVD last year, thereby affecting ticket sales), the International and Southeast Asian Cinema films in competition (Indonesia's The Photograph; Thailand's Love of Siam; Japan's United Red Army; Russia's Vanished Empire, etc.) are relatively uncommon.
PARALLEL EVENTS: As if I care! Master Class in Filmmaking, Directing, Editing, and Screenplay Writing featuring Cinemanila regulars Lav Diaz (recent Venice Filmfest winner), relatively unknown filmmaker Amir Muhammad, and 53rd Cannes Palme d'Or for Best Short Film winner (and inactive of late indie filmmaker) Raymond Red for P150.00? Why attend a lecture when you can seek practical advice from other thriving indie directors? Or at the most, why not do it yourself?

FAVORITES SO FAR: Koji Wakamatsu's enthralling docudrama United Red Army; Johnnie To's latest film Sparrow (this year's opening Film); You, The Living; The Band's Visit

OF INTEREST: Kiumars Pourahamd's Night Bus; Karen Shakhnazarov's Vanished Empire; Roynston Tan's 12 Lotus; Malaysian films Flower in the Pocket and Village People Radio Show

MUCH AWAITED: Melancholia; The Amazing Truth About Queen Raquela; Adolf Alix's Adela; Brillante Mendoza's Serbis, Foster Child, Tirador

OVERHYPED: Love of Siam (A gay romance comedy-drama? Have we seen something like this before?)

AVAILABLE ON DVD: The Diving Bell...; Persepolis; Tsotsi; Francis Ford Coppola's Youth Without Youth; Ken Loach's It's A Free World; With a Girl of Black Soil

Sunday, October 12, 2008

RUSHES: DEKADA CINEMANILA 2008


It's confirmed: The 10th Cinemanila International Film Festival will kick off on Wednesday, October 16 with the Philippine theatrical premiere of Hongkong action auteur Johnnie To's (Election, Exiled, Mad Detective) latest movie Sparrow.

Among the seven confirmed films in competition are Eran Kolirin's crowd pleasing, Cannes certified hit The Band's Visit (pictured, above) and Philippine indie cinema maverick Lav Diaz's Venice Filmfest winner Melancholia. In the Southeast Asia Competition, good friend Adolf Alix, Jr's (co-writer, Small Voices; Homecoming; Yesterday's Children; Daybreak, the 2009 Piolo Pascual starrer Manila) much awaited Anita Linda project Adela will have its world premiere, while Indonesian filmmaker Nan Achnas (Cinemanila 2001 entry Whispering Sands) will present his latest work The Photograph.

Sure, the line-up is most Southeast Asian. Well, as with previous Cinemanila editions we never know. One thing's for sure: I will be there.

THE LINE-UP

MAIN COMPETITION

1. The Band's Visit (Eran Kolirin, Israel)
2. Lucky Miles (Michael James Rowland, Australia)
3. Melancholia (Lav Diaz, Philippines)
4. Night Bus (Kiumars Pourahmad, Iran)
5. The Amazing Truth About Queen Raquela (Olaf de Fleur Johannesson,
Iceland/Philippines/France/Thailand) (Berlin Film Festival 2008 winner)
6. United Red Army (Koji Wakamatsu,Japan)
7. Vanished Empire (Karen Shakhnazarov, Russia)

SOUTHEAST ASIA COMPETITION
1. 12 Lotus (Royston Tan, Singapore)
2. Adela (Adolf Alix, Philippines)
3. The Blind Pig Who Wants to Fly (Edwin, Indonesia)
4. Confessional (Jerrold Tarog and Ruel Dahis Antipuesto, Philippines)
5. Flower in the Pocket (Liew Seng Tat, Malaysia)
6. Love of Siam (Chukiat Sakveerakul, Thailand)
7. The Photograph (Nan Achnas, Indonesia)

Sunday, October 05, 2008

RANDOM THOUGHTS: SPANISH FILMFEST 2008






Some observations on the 7th edition of Pelikula! Spanish Filmfest:

VENUE: Excellent, no questions asked.
MARKETING AND PUBLICITY: Very good, considering the cineastes' dire need for art-house, foreign language pictures. Nothing beats Instituto Cervantes for their astute publicity and classy reception in marketing recent Spanish films.
LINE-UP: Good, though my expected high profile Latin film festival awardees The Silly Age (Cuba), The Year My Parents Went On Vacation (Brazil), and XXY (Argentina) (all Oscar Best Foreign Film entries last year) were conspicuously absent in favor of hometown favorites. At least, uncompromising filmmaker Carlos Reygadas (Battle in Heaven; Japon) will be toasted during the Mexican Cinema night for his recent 60th Cannes Filmfest Jury Prize winner and critics' fave (Film Comment Magazine's Best Unreleased Film of 2007) Silent Light (Luz Silenciosa).
BLOOPERS: The opening film, Fuera de CartaOff The Menu (pictured above, right)(Oct. 1) had its fair share of real-life humor when the last reel wasn't shown. No explanations were given though. Ditto Mataharis, in which the projector failed to press the English subtitle button --- to the audience's surprise and comic relief. (It was discovered that the female detective drama will be shown in DVD format. Sigh.)
HIGHLIGHTS (so far): Fuera de Carta had its payback time --- in a very good way --- last night when it was enthusiastically received by the jampacked audience, not to mention the presence of its director, Nacho G. Velilla who introduced his film. It was revenge served hot and mighty indeed.

Here are my favorites:

MATAHARIS (pictured, above left)- Iciar Bollain (Te Doy Mis Ojos, SFF 2005)
LO MEJOR DE MI (The Best of Me)
FUERA DE CARTA - Sure to be an Audience Choice Awardee this year, this family/gay romance comedy starring heralded contemporary Spanish cinema thespians Javier Camara (Talk To Her; Torremolinos '73; this year's entry Under the Stars) and Lola Duenas (The Sea Inside; Volver) was filled with many catchy dialogue, though the plot falters dramatically after the climax. Viewers who are into light comedies like this won't care about this narrative setback.
SILENT LIGHT - After the headache-causing, squirming Batalia en el Cielo (Battle in Heaven), Carlos Reygadas returns to his auteur roots with this critically acclaimed, Cannes winning drama. Watching it was a spiritual experience for me (really), and the jam-packed theater was in complete silence while watching it (despite a few walkouts). The Mexican filmmaker's narrative devices and stylish yet dramatically concurrent directorial touches justified its larger than life plot. (A full critique will be published later this month.)

Reviews of the said films and extended coverage of other movies to be shown this week will be posted after the festival (October 12).